Monday, April 07, 2008

Book Review: Greetings from Lake Wu by Jay Lake and Frank Wu

Every Monday, I'll be doing spoiler-free, bite sized book reviews.

Greetings from Lake Wu is a collaboration between Jay Lake and Frank Wu, with the former writing the short stories and the latter illustrating them. Wu's art can be found preceding each story (there are thirteen in this collection) and his style has an old-school feel to it. Lake on the other hand struts his early work here and I find it amusing that the book begins and ends with stories that have a similar title ("The Courtesy of Guests" and "The Passing of Guests" respectively) and feature the same set of characters. As far as the fiction goes, most of the stories have a sci-fi angle and while Lake writes them competently, only a few possessed the impact I was expecting from Lake (but those that do pack a whallop). Having said that, here are my top three stories. "Jack's House" stands out the most to me, in part due to its accessibility and the mythic scope it encompasses. Rats, cats, and dogs are all involved in a war and the story works on many levels. "The Angle of My Dreams" on the other hand succeeds because of Lake's strong grasp of character and easily had me sympathizing with the protagonist. I was almost crying by the time I reached the end. "Glass: A Love Story" is one of those weird tales that only speculative fiction can deliver. It promises on the romance but in an unexpected manner and was quite an adventurous trip. One complaint I have about the book is with its production quality. At least in the case of my copy, the ink was smudging, either on my fingers or on the opposite page so I felt like I had to read the entire book before the text faded before my eyes. Aside from that, Greetings from Lake Wu is a decent collection of short stories that gains bonus points if you enjoy Wu's art style.

Rating: 3/5.

Rating System:

1 - There are better ways to spend your time.
2 - Ho hum books, usually typical of its genre. Probably only recommendable to die-hard fans.
3 - A cut above the rest, usually with one or more elements that sets it apart from the norm.
4 - Highly recommended and is easily a pioneer of the genre.
5 - A classic or it will be.

Sunday, April 06, 2008

Plug: Ongpin Stories by R. Kwan Laurel

Ongpin Stories by R. Kwan Laurel is a collection of stories that deals with the Chinese in the Philippines and Chinese Filipinos before they were stereotyped as wealthy businessmen. These stories show the effects of global forces on the lives of simple people who want to live in dignity amidst racism, poverty, and persecution. In the blurb at the back of the book, the late National Artist, NVM Gonzalez in a letter to the author expressed his hope and estimation of the stories: “I hope you have pursued your Ongpin story as far as it can go. I know you are on track and need only to go on. Ongpin lives in these stories.” Underneath the comic and painful situations of characters with names like Washington Dee See and Thomas Jefferson Go, we read about how generations sacrificed their lives for the hope of a better future, how identities are formed in the crucible of historic national and international anxieties, and how the present generation who are reaping the fruits of immigrant sacrifices may have too easily forgotten what it means to be children of the diaspora. The book is published by Kaisa Para Sa Kaunlaran, Inc.

About the author: R. Kwan Laurel earned his doctorate in English Studies (Creative Writing) from the University of the Philippines.

Sunday Updates

We have a three-day weekend as tomorrow we celebrate Araw ng Kagitingan ("Day of Valor"). Spent the past two days doing nothing but reading and the occasional Desktop Tower Defense (which I play not only to stave off boredom but to find time to listen to various podcasts).

Noteworthy reading accomplishments is that I managed to secure a copy of Nick Mamatas's Under My Roof from a local auction site/online bookstore and finished reading it on the same day. Today I finished reading Paul S. Kemp's Shadowstorm and treating myself to some Elizabeth Hand (Saffron and Brimstone was on sale for around $4.00 in National Bookstore's bargain bin).

Friday, April 04, 2008

The Shape of the Universe is a.... d12

I was listening to Astronomycast and it was mentioned that one of the possible shapes of the universe is a dodecahedron. The other possibility is that it's a hypertorus (a 4-dimensional torus*).
*A torus is best described as a donut**.
**To appease simulationist gamers, the D&D 4E cosmology will be known as the Great Donut instead of the Great Wheel.

Top 10 Best-Sellers as of 2008/3/30

From USA Today's best-seller list (you can find out their basis here):

  1. A New Earth by Eckhart Tolle
  2. Compulsion: An Alex Delaware Novel by Jonathan Kellerman
  3. The Final Warning: A Maximum Ride Novel by James Patterson
  4. Eat, Pray, Love by Elizabeth Gilbert
  5. The Other Boleyn Girl by Philippa Gregory
  6. Simple Genius by David Baldacci
  7. Three Cups of Tea by Greg Mortenson and David Oliver Relin
  8. Magic Treehouse #39: Dark Day in the Deep Sea by Mary Pope Osborne and Sal Murdocca
  9. Diary Of A Wimpy Kid: Rodrick Rules by Jeff Kinney
  10. Twilight by Stephenie Meyer

Thursday, April 03, 2008

Comic Geek Fanboy Moment

From Newsarama:


2008/4/3 Tabletop RPG Podcasts

Every Thursday, I post links to various podcasts that deals with tabletop RPGs.

Tabletop RPG (Mostly)

General Discussions/Reviews/Everything Else

Interviews
Actual Play Sessions

Filipino Artist Does Art for Terry Brooks's Graphic Novel


I caved in to my curiosity/guilty pleasure the other day and bought a copy of Terry Brooks's Dark Wraith of Shannara. I was pleasantly surprised to find out that art and the inking were done by Filipinos.

Wednesday, April 02, 2008

1st Week of April Plugs

Here's some interesting plugs for the day:
  • Clarkesworld has a new issue out and includes stellar fiction and non-fiction from the likes of Jeffrey Ford, Jeremiah Sturgill, Tim Pratt, and Jeff Vandermeer (who interviews K.J. Bishop). Matts Minnhagen provides the weird, iconic covers Clarkesworld is known for.
  • Ekaterina Sedia has a new book, Paper Cities: An Anthology of Urban Fantasy. You can find the Table of Contents here (scroll down).
  • New manga reviews (including mine) up at Comics Village. Our perky contributor Sabrina also has a Con report.

Essay: Isn't Education Merely Potential?

Every Wednesday, I have an essay on any topic that catches my fancy!

Here in the Philippines, the latest batch of students just graduated (my own sister included) so I thought that it would be appropriate to tackle education attainment. A diploma is typically a method of culling the capable from the incapable. Unfortunately, it is also all too easy to objectify people, reducing them to mere accomplishments (awards, degrees, grades, etc.) rather than accepting them as individuals. Now I'm not downplaying those who've managed to graduate, those who've pursued graduate studies, or those who are planning to take further studies in the academe, but let us remember the reason why we pursue education. Education in my opinion is not an end in itself. Rather, it is a means to attain something. An aspiring lawyer for example does not take law studies simply for the sake of doing so (although people are more than welcome to expand their knowledge base). He or she pursues law studies theoretically in order to become a lawyer.

If you can see the logic in that statement, then allow me to progress into my next line of thought: education is merely potential. Now potential is well and good but there is a difference between potential and actualization. The latter is tangible while the former is not. Take for example my undergraduate degree. Me and my classmates graduated with a degree in Creative Writing (and our program consisted of classes like fiction, poetry, nonfiction, and drama). Once we've left the university, there is absolutely no guarantee that we will write fiction, poetry, nonfiction, or drama. In fact, some of us have indeed pursued a career other than those that our degrees would dictate. Just because I have a degree in Creative Writing does not mean I will actually be a writer. Education merely provides us some of the tools and it's left to us as individuals to sort them out and actually utilize them.

Oh, and here's another important fact: people who've graduated with degrees in their particular field aren't necessarily experts in their particular craft. Again, it's easier to use myself as an example. I graduated in 2004. Unfortunately, the fact was that I wasn't a skilled writer back then (nor am I one now). (Now I'm not saying that pursuing my degree was a useless endeavor. Some of my fellow graduates have become talented writers in their own right but I'd like to think more of it is attributed to their own individual skills, talent, and initiative rather than solely on their education.) And I've seen this occur in other fields. Business majors don't know how to run businesses. Literature majors can't critique and merely parrot their teachers and their text books. Computer Science majors stopped honing their programming skills and updating their knowledge.

Again, I'm not downplaying the importance of education. I've witnessed some local writers pursue education outside of the country, in established universities, and prestigious workshops. However, I don't judge them to be great writers by that fact alone. What makes them talented writers in my eyes is their output: they write terrific stories. Because the human condition cannot be isolated, certainly their education has played a role in their ability to produce such compelling work. But obviously, not everyone with a degree in some famous university will end up being the greatest person in their field: they need to actualize their potential. And unfortunately, sometimes, the actualization falls short of the perceived potential.

On the other hand, formal education is not the only way to reap one's potential. There have been numerous instances for example when people with no business backgrounds become millionaires and market moguls. When it comes to writing, there are numerous editors and writers who have neither a degree in Literature nor Creative Writing yet become prominent and influential in their field. My teacher even told us this story about a 30-something housewife who had no previous history of publication suddenly deciding to become a writer and her stories easily qualified for workshops. If you merely look at the official papers of these people, they have no apparent potential yet they more than make up for it with their output. It has become a pet peeve of mine when people become skeptical of other people's abilities because of their lack of education. For example, a local publisher was questioned what right did he have of publishing and editing his own periodical considering his lack of a literary background. For me, that's the wrong question to ask. Does it matter if he was lacking a literary background if he published quality stories? Now if the critic had based his judgment on the actual output (and they're free to ask the question "what right do you have of publishing this kind of material considering it's all crap?"), that would have been fine. But these days, I find that people are basing their questions solely on education attainment.

What I want to say is that at the end of the day, your own tenacity, your own initiative, and your own skills factor more when it comes to your career or profession more than your education ever will be. I'm not saying that don't get a diploma as every bit helps but never, ever, feel entitled to something just because of your degree or education attainment. The world is changing, the world is dynamic, and the best way to prove yourself is through your actions rather than through simple bragging rights.

Anyone Want These D&D Modules?

History here.

The short story is they're taking up space and I never really played OD&D (I'm a late bloomer).

Caveat is that I'm in the Philippines so shipping is expensive. If I can get rid of this in one simple shipment, that'd be great (people in the general vicinity can just agree to meet up some place).

And, uh, I'm giving these away for free? =)

Some of these are still in their shrink-wrap glory:
  • Secret of the Slavers Stockade (A2) (2 copies)
  • The Hidden Shrine of Tamoachan (C1)
  • Legacy of Blood (CM9)
  • Red Arrow, Black Shield (X10) (2 copies)
  • Slave Pits of the Undercity (A1) (2 copies)
  • Isle of the Ape (WG6) (2 copies)
  • Red Sonja Unconquered
  • Descent into the Depths of the Earth (D1-2)
  • The Lost Caverns of Tsojcanth (S4)
  • Vault of the Drow (D3)
  • Assault on th Aerie of the Slave Lords (A3)
  • Dwellers of the Forbidden City (I1)

Tuesday, April 01, 2008

Best of Philippine Speculative Fiction 2005 - 2008

Before the end of the year (2008), I'm planning to publish online a "Best of Philippine Speculative Fiction" that will feature stories written in English by Filipino authors that were printed between January 2005 - March 2008. The editors of the project will be Mia Tijam and myself and we will be selecting twelve stories.

In line with this, I've been compiling a list of speculative fiction stories that qualify for consideration. You can see what I've managed to come up so far here. However, the list is far from complete and I would like to ask other people to recommend stories or publications that I might have missed. The qualifications are 1) the story must have a speculative fiction element (and my initial list above does include non-speculative fiction stories but I'll whittle them down as we go through the selection process), and 2) printed or reprinted in either a local or online publication between January 2005 - March 2008. In the event that the said publication is inaccessible (i.e. out of print), hopefully you can send me a soft copy of the story in addition to its publication details. You can email me any recommendations at charlesatan[at]gmail[dot]com.

I will only be accepting recommendations from April 1, 2008 until May 31, 2008. Anything submitted beyond that date will not be considered. You can look forward to the online publication during the 4th quarter of 2008.

Feature: Interview with Rachel Caine

Every Tuesday, I'll have a feature article posted.

Rachel Caine is the author of several books including the Weather Warden series and the Morganville Vampires series. She was also previously published under the alias Roxanne Longstreet Conrad and Julie Fortune. Her upcoming novels include Feast of Fools and Gale Force .

Hi! Thanks for doing the interview. First off, you have quite a repertoire (which means I had to do lots and lots of research!). Let's start with your music. What got you interested in music? In fiction? Why did you make the transition and what made it difficult?

I started out in music at the age of about 11 -- I think my parents did it to keep me out of trouble, but I really loved it and worked hard at it (insanely so, sometimes). On the fiction side, I've always been a huge reader (since at least the age of 7).

The transition came in about 1990, when I was working full time, playing in the Dallas Wind Symphony, and trying to also finish my first book. I finally realized that I just didn't have enough hours in the day, and I decided that I had to choose between two things I really loved: music, and writing. So I put away my music and focused completely on my writing. I don't really regret that, but it's a great thing that this year I'm picking up the music again.

How did your writing career start out?

I started out writing what I later found out was fanfic -- I wrote a short story based on a TV show I liked. After that, I wrote a lot of (bad) original stories, which I put in suitcases and hid until about 1990, when a friend of mine bought me a ticket and dumped me at a science fiction conference to "go meet some writers." Believe it or not, I did meet some writers, and I sold my first book from a contact I made at that convention.

Which is your "first" pseudonym? Rachel Caine or Julie Fortune? Come to think of it, how do you writers come up with your aliases? Any specialty or brand associated with one name and not the other?

My first pseudonym was Roxanne Longstreet -- which was my real (maiden) name. Because I changed publishers (and genres) in 1995, my agent and I decided that since I'd gotten married in the interim, we'd go with my married name, Roxanne Conrad. But the books I wrote under that name didn't do so well, so when I wanted to write fantasy I picked a new pseudonym: Rachel Caine.

Meanwhile, I was writing fanfic to keep myself occupied through the slow period, under the name of Julie Fortune, so it seemed natural to use that name on the Stargate SG-1 book that I wrote as well.

You're currently writing in various genres and age groups. Was it a conscious decision to work on say, fantasy, or is it more of a "I'll write whatever I want and it can be classified later" process?

The first incarnation of the book that became ILL WIND was more mainstream than fantasy, but it didn't find a publisher. I decided to rework it, adding the fantasy elements, because I thought it would work better that way. Looks like I might have been right!

What are you more comfortable with, writing horror or fantasy (if any)? Writing for young adults or for adults? Any particular difficulties? Any transitions that need to be made? Any favorite market/genre?

I tend to look at genres as tools -- I often mix fantasy and horror, humor and romance. In fact, I think by increasing any of the ingredients just a small bit, you can move a story out of one genre and into another, but it's still substantially the same story, so I'm really not bothered by what kind of title goes on the spine.

I do know that there are limits to the genres, particularly when you're talking about the young adult genre -- there are things that you have to think hard about, and take the potential consequences to your characters and to your readers seriously. In that sense, its not so much a difficulty as an extra dimension of things to think about. Despite that, I love writing both YA and adult fiction -- I always feel rejuvenated after a YA book, which helps keep me fresh for the adult fiction.

I've always wanted to be a fantasy writer, all my life, so I'm right where I wanted to be!

You're working with various publishers. Any particular difficulties/anecdotes or is it smooth sailing so far thanks to your agent?

My professional career has been surprisingly drama-free, I'm happy to say. Everybody I've worked with has been truly amazing -- from my first editor to my current ones. I can't leave out my agents, either; I've had amazingly good luck in the people I work with! I still think of them all as friends.

Here's the question that's either a hit-or-miss with some people. Who are your favorite authors or what are some of your favorite books? What do you think are your influences?

Ahhhhhh! Like most people, I think my influences are probably the books I grew up reading. Adventure stories like Robin Hood, The Scarlet Pimpernel, Scaramouche, Men of Iron; science fiction authors like Roger Zelazny, C.J. Cherryh, Hal Clement, Ted Sturgeon; mystery stories by John Creasey and Rex Stout. Later on, I discovered great writers like Guy Gavriel Kay, Joe Lansdale, Barbara Hambly, P.N. Elrod, Charlaine Harris, Jim Butcher -- dozens and dozens more. Let's just say that I had to buy a bigger house to hold all my books!

Let's talk about fandom. What are your current fandoms and anything you have to say about them (both old and new)?

Oh my, SO many fandoms for me! I think my current favorites are Stargate SG-1, Stargate: Atlantis, Torchwood, Doctor Who, Life on Mars, and Primeval. I'll always love Buffy, Angel, Highlander, Firefly, Harry Potter, Star Trek ... that's the great thing about fandoms. You can pick up new ones, but not lose the old ones.

What's your stance on fan fiction since I read that you started with fan fiction?

I think writing is writing, and you can write fanfic just as well or just as badly as any original story. I don't much care about a story's provenance, if it's a good story. If we're talking about fanfic based on my books, I'm sure it's out there, but I've never searched for it. It wouldn't bother me if I did come across it, though.

I know there are a lot of authors who really hate fanfic, but that's very baffling to me. I've always liked good fanfic, and always will.

I read that you do your writing in a coffee shop. Care to elaborate? Also, when you listen to music while writing, do you listen to instrumentals or does that include songs with vocals?

I used to go to the coffee shop by my house, which opened at 5:30 in the morning, so I could get in three hours of work prior to going to my day job. I don't have to do that so much anymore, because now that I'm writing full time I've fixed up a nice writing area in my house. I still go to the coffee shop at least a couple of times a week, though, just to mix it up and feel like I'm going to work.

Music -- I'm obsessive about it! I have a different playlist for each project, and the style of the songs changes accordingly. It's never bothered me to have lyrics in the music, but it's almost impossible for me to start a book until I have a few songs together to get me on track!

Let's talk about your books. Care to elaborate on the various books you're currently working on? Which is your biggest priority right now? Do you think you're more popular for your Weather Warden books or for your Morganville Vampires (or perhaps some other work of yours)?

I've just finished the first book of a new four-book series called OUTCAST SEASON; it is the story of a Djinn named Cassiel, and it's set in the universe of the Weather Warden series. I'm working right now on the fifth Morganville book, LORD OF MISRULE, and then it's on to book eight of the Weather Warden series. Sometime in there I need to also do some proposals for new books, too, so I'm fairly busy these days. I've also been doing more short stories, working those in here and there as I get time.

I think I used to be more popular for the Weather Warden series, but the Morganville Vampires series seems to be selling very well, so I'm not really sure these days!

In 2005, I read that you struggled with breast cancer. What were some of the difficulties you faced? How has it affected you as a writer?

Well, obviously, cancer throws off your concentration a bit. :)

I was extremely lucky -- I suspected something was wrong, and I went in to check it out, and the problem was detected very early. However, there's no doubt that I had a somewhat rough time of it, mainly because following the first surgery I came down with a drug-resistant staph infection, and then had to go back into surgery for a second time because the doctors detected additional cancer.

That took about three months out of my life -- from May through July. I went back to work in August full time; my publisher Roc, meanwhile, allowed me to postpone my fifth Weather Warden book for six months to try to get through the worst of things. I did daily radiation treatments from September through early November. Radiation is a tricky thing; some people have no problem with it, but I ended up very tired and weak, and it was a struggle to finish WINDFALL on time.

I don't think I was really back to full strength until about March of the following year, and of course being behind on writing made it hard to get back on track, but my day job and my editors were all very supportive and kind to me. So were my friends, family, and fans!

All in all, was it fun? No, not really (although parts of it were strangely funny, who knew you had to get tattooed?). But it was definitely valuable experience, and I hope that I can continue to help spread the word about the importance of breast cancer screenings and early detection.

Any advice you have for writers?

Oh, I don't think we have enough space! But really, the most important thing is to write. Just sit down and do it -- stop finding reasons why you can't. Write daily if you can manage it, and finish what you start, because if you want to become professional, that finishing thing is pretty much required. :) I hear a lot of aspiring writers say they'll "find the time" someday. Trust me, that time is never just lying around like quarters in the couch cushions ... you MAKE the time. You make it by cutting other things out of your life, whether that is sleep, time with friends and family, movies, video games, whatever it may be.

And don't get discouraged. It's not easy to succeed at writing, but honestly, I don't think it ought to be. Here's my musical background coming back: nobody expects to pick up a musical instrument and be playing Carnegie Hall in a year, but somehow, everybody expects to be an instant success at writing. The principles are the same: you have to learn the fundamentals, and you have to work hard.

But that makes it better, in the end, for the struggle.

What are your upcoming projects or things in general you'd like to plug?

FEAST OF FOOLS, the next Morganville Vampires book, is out in early June, and GALE FORCE, book seven of the Weather Warden series, is out in August. I'm also a contributor to a great charity anthology called TEARS OF THE PHOENIX, a book that will benefit the New Orleans public library system -- this wonderful thing is being put together by some great people in the Harry Potter fandom, but it's an original fiction anthology and I'm so proud to be part of it.

There's also a great anthology coming up later in the year called STRANGE BREW, and I expect there will be another Morganville book out around the first part of 2009, as well as the first book in the new OUTCAST SEASON series.

I will also be working on proposals for a new Stargate book shortly!

Thank you so much for giving me the opportunity to talk to you.

The Year’s Best Fantasy and Horror 2008: Twenty-first Annual Collection TOC

From Ellen Datlow:

The Year’s Best Fantasy and Horror 2008: Twenty-first Annual Collection
Edited by Ellen Datlow and Kelly Link & Gavin J. Grant

Table of Contents

“The Cambist and Lord Iron: A Fairy Tale of Economics” Daniel Abraham
“The Gray Boy’s Work” M.T. Anderson
“Troll” (poem) Nathalie Anderson
“The Monsters of Heaven” Nathan Ballingrud
“The Forest” Laird Barron
“Reversal of Fortune” Holly Black
“The House of Mechanical Pain” Chaz Brenchley
“The Merchant and the Alchemist’s Gate” Ted Chiang
“Scenes of Hell” (poem) Billy Collins
“Toother” Terry Dowling
“The Drowned Life” Jeffrey Ford
“The Last Worders” Karen Joy Fowler
“Monkey” (poem) Eliza Griswold
“Up the Fire Road” Eileen Gunn
“Winter’s Wife” Elizabeth Hand
“A Perfect and Unmappable Grace” Jack Haringa
“The Evolution of Trickster Stories Among the Dogs of North Park After the Change” Kij Johnson
“The Boulder” Lucy Kemnitzer
“The Hill” Tanith Lee
“The Ape Man” Alexander MacBride
“Lovers (Jafaar the Winged)” (poem) Khaled Mattawa
“Hum Drum” Gary McMahon
“A Thing Forbidden” Donald Mead
“England and Nowhere” Tim Nickels
“Sir Hereward and Mister Fitz Go to War Again” Garth Nix
“Valentine, July Heat Wave” Joyce Carol Oates
“Mr. Poo Poo” Reggie Oliver
“Fragrant Goddess” Paul Park
“Holiday” M. Rickert
“Vampires in the Lemon Grove” Karen Russell
“Rats” Veronica Schanoes
“The Fiddler of Bayou Teche” Delia Sherman
“Village Smart” (poem) Maggie Smith
“The Tenth Muse” William Browning Spencer
“Follow Me Home” Sonya Taaffe
“The Swing” Don Tumasonis
“Closet Dreams” Lisa Tuttle
“The Seven Devils of Central California” Catherynne M. Valente
“Splitfoot” Paul Walther
“The Hide” Liz Williams

Moleskine Derivatives

After the success of Moleskine notebooks in Fully Booked, Powerbooks also started stocking them (at least the Greenbelt 3 branch did) but just in case, they also started selling Derwent Journals which are cheaper than their Moleskine counterparts.