This isn't the first time that Haikasoru published Otsuichi's fiction. During their first year, perhaps the most experimental book for the publisher was ZOO, Otsuichi's short story collection. Otsuichi's writing isn't easily categorized as science fiction or fantasy, but is a better fit for horror. Summer, Fireworks, and My Corpse doesn't stray from that formula, but whereas ZOO featured his short stories, this book focuses on two of Otsuichi's short novels and a short story. In a certain way, the title is misleading because the most intriguing piece for me is the second short novel, "Black Fairy Tale", but I'll get to that later in the review.
The opening story is "Summer, Fireworks, and My Corpse" and it's probably best described as a thriller. Even before I started reading it, I was already deliberating on how there's more flexibility when you're reading a narrative from Japan. While there are certainly thrillers and mysteries wherein the criminal getting away with the crime, Western fiction--and its emphasis on morality--usually gives me the expectation that the perpetrator gets caught in the end. Here, it works in the story's favor that there's no set expectation. Otsuichi knows how to bait the reader by providing suspenseful moments and milking them for all they're worth. "Summer, Fireworks, and My Corpse" is an entertaining read, but at the end of the day, it's formulaic; it's an enjoyable thriller, mind you, but obviously so. Which isn't to say it's not without its own saving graces, such as the characterization and the various hints by the author, but at the end of the day, it's not remarkable. Perhaps some readers will be amazed at the moral ambiguity Otsuichi straddles but for me, it's evident that the author is a puppeteer.
The second story is "Yuko" and perhaps the least memorable of the three (probably due to its length). Much like the previous piece, Otsuichi knows how to work his beats, because just as the reader thinks they've figured things out, the author throws in a new element that subverts the narrative. What makes the story work is that the reader is unsure of who they should be rooting for: is our protagonist the heroine or is there more lurking beneath the layers? Because it's a shorter narrative, the story doesn't feel repetitive and each revelation actually matters. And when it comes to the ending, Otsuichi creates a plausible explanation for everything, which is probably what will make or break the story for readers.
The last piece is "Black Fairy Tale" and I mentioned in the beginning that the title Summer, Fireworks, and My Corpse was deceptive. "Black Fairy Tale" is longer than the previous stories combined, and in many ways, is more ambitious. But I can understand why Haikasoru chose "Summer, Fireworks, and My Corpse" to be the titular story, whether it's marketing or having a thematically tighter piece to hold the book together.
Returning to "Black Fairy Tale," because it is a longer narrative, Otsuichi runs into the challenge of sustaining the reader's sense of suspense and interest. Thankfully, he skillfully manages to make it compelling without feeling redundant. The key to this is how he juggles chronology and point of view. When you first start out, the reader is confused (in a good way) and it's not only later on that the separate pieces start falling into place. I'm impressed at how Otsuichi leaves an impression with his recurring themes: eyes and memory. It creates a story that's not just a mystery/thriller, but evokes elements of science fiction and the fantastique. One of the protagonists, for example, is a girl who suffers from amnesia and she eventually comes to question her identity. Otsuichi tackles this through various methods and in a way that wouldn't work in a realistic novel. The story also evokes a sense of visceral disgust even when the author is not detailed with his descriptions. Various techniques employed in "Black Fairy Tale" are difficult to pull off but Otsuichi manages to successfully integrate them and utilize them to great effect. At the end of the day, it's this story that intrigues me rather than the other two.
Pages
▼
Monday, January 31, 2011
Magazine Review: GUD Magazine #6
Disclosure: The publisher sent a review copy for the purposes of this review.
This was originally going to be "just" a review of GUD's sixth issue, but I want to get something off my chest. Some readers--and writers--might have complaints with the more popular genre magazines yet indie publications like GUD is often overlooked. As far as content goes, with every issue, GUD delivers quality fiction, poetry, and artwork/photos, a combination that's slowly becoming a rare breed. When it comes to its contributors, from gender division to cultural diversity, GUD has been quite inclusive. Which isn't to say that each issue is a home run, or that I'm qualified to critically judge poetry and art (I'm more of a prose person), but GUD is doing a lot of things right. On the business end of things, between electronic submissions and a generous eBook system (you get an additional copy to send to a friend), it's a model worth emulating.
Having said that, how does the current issue fare? Since I tend to be a short story reader, it's the fiction that remains memorable for me, even if it's three weeks since I last read the magazine. "As the Wheel Turns" by Aliette de Bodard is a fine choice for opening the publication as it's easily one of the best stories in the issue. Bodard convincingly creates her own myth, the story of a female protagonist and her never-ending clash with two opposing ideologies. The tone and the language sell the story, but it's the characterization by the author that makes me genuinely curious what happens next.
Another story that's impressive is "The Naming Braid" by Lindsey Duncan. Like Bodard, the author convinces us that this is a fairy tale due to her language and tone. Duncan however takes a different route from Bodard; the latter had a simple cast while the former employs a large ensemble. And yet Duncan manages to give each one their proper voice and personality, an Epic and Romance compressed into a short story. This is easily my favorite story in the magazine.
One of the more interesting science fiction pieces I've encountered is "What Happens in Vegas" by Caroline M. Yoachim. While there are some flaws in technique (the story feels too much like the author is explicitly explaining everything), Yoachim nonetheless conveys to the reader the shocking horror of her premise. This is shown through the lenses of her characters and if we didn't come to care for them--or more specifically, sympathize with a crucial key character--the story wouldn't work. But as it is, the division between reader knowledge and character knowledge is integral to appreciating the piece.
There's around half a dozen illustrations here, some are paintings, some photographs, and others somewhere in between. A striking photo for me is "The Smoke" by Bob Evans. The details of this close-up convey the editorial. "Thought Process" by Andy B. Clarkson leaves one with a lot to ponder, while "Generation Gap" by Arthur Wang is brilliant when it comes to the caption.
I'll admit, evaluating poetry is my least-honed skill. This issue of GUD has a diverse set, each one catering to different sensibilities. Yet after re-reading the poems, what impressed me is how narrative poetry is vastly different from the short story, whether it's the compression, the sensibilities, or what it manages to get away with its sparsity. Some have a clear agenda, such as "Crumpled Receipts" by Bryan C. Murray yet due to its form and presentation, it's palatable, entertaining, yet still drilling home its point.
At other times, it's the imagery that wins you over. "Whale on the Roof" by Rose Lemberg, at first glance, seems to include elements that you wouldn't ordinarily combine, yet the poet makes it work and flows organically. It works on multiple levels, giving the reader much to deliberate on.
My favorite poem is "Bridging" by Shweta Narayan. Aside from the very apt title, it's a poem that succeeds in utilizing and combining several techniques quite effectively. Because of its lyricism, this is one of those poems that begs to be read out loud. There is also the fusion of anachronistic elements that conjure a vast setting and cosmology, yet could also be interpreted as a metaphor for our current politics. Whether we're reading in on a literal level or something deeper, it's enjoyable and poignant.
Overall this is a fairly balanced issue; while there are some pieces that are simply ho-hum or even flawed, there's enough gems to make GUD stand out.
Book Review: Boneshaker by Cherie Priest
One of the novels that received a lot of buzz last year is Cherie Priest's Boneshaker and after reading the book, it's easy to see why. When you get right down to it, Priest's writing is compelling. The only time this isn't true is in the prologue, which is a sacrificial lamb of sorts. It's exposition of the setting and it's a technique used in other science fiction novels such as Alfred Bester's The Stars My Destination. I'd say it's a small price to pay as when you get to the first chapter, Priest immediately ensnares you with the narrative and the characters.
There are two reasons why Boneshaker works. The overt one is Priest's characters. The author manages to strike a balance between her two protagonists: while they're proactive and strong in their own way, they're also not without vulnerabilities. The chemistry between mother and son is played up giving us tension that's emotionally driven and organic, rather than simply depending on external forces as a source of conflict. Moreover, Priest's choice to juxtapose the point of view between chapters maximizes the suspense, as well as giving us opportunities to view the setting through a different lens.
The second reason why Boneshaker works is due to the subtlety in the author's technique. Take for example the first chapter; it's mostly dialogue, or "talking heads" as I'd like to call them, but it's compelling dialogue that immediately conveys the conflict and is as riveting as any action scene. The fact that this goes on for the next few chapters is a testament to Priest's skill in writing engaging conversation.
Another element in Priest's favor is how she continually plays cat-and-mouse with the reader as she dangles an easy solution in front of her characters, only to escalate the stakes by the end of each chapter. There is also the sense of paranoia and alien-ness that she constantly reinforces. Her protagonists are strangers to the city that they are exploring and one of the recurring themes is that they can't fully trust the people that they encounter. It's a successful execution of portraying her characters as outsiders, and that there are ramifications for their ignorant actions.
Last is how Boneshaker fits in with the current zeitgeist. The most obvious is its steampunk elements but as far as the narrative is concerned, this feels natural rather than artificial. There is also the inclusion of zombies but no one in the book calls them as such (and rightly so considering the etymology of the term).
Overall, Boneshaker is a fun book in which Priest's characters come to life and become the centerpiece of the novel. Priest creates dramatic conflict, not through high stakes or epic battles, but through the genuineness of her characterization.
January 31, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Colin Harvey interviews Aliette de Bodard.
- Ripping Ozzie Reads profiles Ben Peek and Stephanie Campisi.
- DAW interviews Gini Koch.
- Suvudu video of Cherie Priest.
Advice/Articles
- Publisher's Weekly on Digital Book World: E-Books and Libraries? No Problem, Panel Says.
- Theodora Goss on The Tempest and Follow Me.
- The Reader's Advisor Online on Under the Radar: Best Speculative Novels of 2010.
- Laura Anne Gilman on Practical Meerkat’s 52 Bits of Useful Info for Young (and Old) Writers, week 4.
- Sherwood Smith on Readers, Writers, and Blogs.
- Dale Spindel on Books vs. Music.
- Juliette Wade on Alien body language.
- Janice Hardy on Goal - Conflict - Stakes. Why You Need All Three.
- Adrienne Kress on The Race for the Future.
- Mark Rigney on Race Matters: A Writer Blogs About Process.
- John Scalzi on Being Fictional.
News
- StarShipSofa Online Writers Workshop.
- Submission Guidelines: The Mammoth Book of Steampunk.
- Karen Lord Wins Crawford Award.
Steampowered Lesbian Steampunk Stories edited by JoSelle Vanderhooft
Friday, January 28, 2011
January 28, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Shawn Speakman interviews Cherie Priest.
- Matt Staggs interviews John Jackson Miller.
- Hour of the Wolf interviews Jon Sprunk (podcast).
- Carrie Vaughn interviews Daniel Abraham and Ty Franck (video).
- John Scalzi's The Big Idea: Matt Forbeck.
- Dead Robots' Society interviews Jana Oliver (podcast).
Advice/Articles
- Tobias Buckell on Writing on the high seas.
- Theodora Goss on Being a Brand.
- Gail Z. Martin on Postcards from Liminal Space.
- Abigail Nussbaum on Women Writing SF: Gwyneth Jones.
- Jim C. Hines on Wrong on Piracy, Wrong on Batman.
- Six Authors on Writing & the Martial Arts.
- Robert J. Sawyer on The Purpose of Science Fiction.
- Pajamas Media on Is Science Fiction Getting More Conservative?
- Megan Kurashige on Little Boxes.
- Kristine Kathryn Rusch on The Business Rusch: Bad Decisions and The Midlist Writer (Changing Times Part Fifteen).
- Richard Dansky on Useful Writing Advice, ‘Cause You Need More of It.
- Janice Hardy on Breaking the Rules of Writing.
- Nicola Morgan on Awards, Prizes and Angstiness.
- John Ottinger on Brains Lite.
- Philip Pullman on Leave the libraries alone. You don’t understand their value.
- The Rejectionist on "My Agent is Exhibiting Inappropriate Behaviors. Now What?": A Five-Step Program for the Anxious and Forlorn.
News
- Wold Newton Reading Extravaganza with Felix Gilman, Jeffrey Ford and Sharon Mesmer! on January 30, 2011.
- The New York Review of Science Fiction Readings presents Andrea Hairston Pan Morigan.
- Book View Cafe publishes Nancy Jane Moore's Changeling as an eBook.
- "Disquieting Visions" Blog Highlights Epic and Urban Fantasy, Paranormal Romance plus Paranormal Investigations.
- Shaun Tan Goes to the Oscars.
Thursday, January 27, 2011
January 27, 2011 Links and Plugs
Interviews
Advice/Articles
Tessaracts 14 edited by John Robert Colombo & Brett Alexander Savory
- The Valley Advocate profiles Small Beer Press, Kelly Link & Jedediah Berry.
- Writing Excuses chats with Mary Robinette Kowal and Eric Flint (podcast).
- Adventures in Sci Fi Publishing interviews Laura Resnick, Mary Robinette Kowal (podcast).
- Suvudu interviews Peter Orullian.
- Jonathan Strahan chats with Alex and Tansy of Galactic Suburbia (podcast).
Advice/Articles
- Theodora Goss on The Art of Editing.
- Nicola Griffith on Readers are customers, not the enemy.
- Warren Ellis features Paul Di Filippo.
- Paul Di Filippo on The Universe Next Door.
- Catherynne Valente on Speculative Fiction and YOU.
- Gareth D. Jones on languages, translations and being half-Welsh.
- Jeff VanderMeer on Vladimir Nabokov Vindicated: The Importance of Butterflies in the Life of a Literary Master.
- Phyllis Irene Radford on Why Urban Fantasy?
- Juliette Wade on Wednesday Worldbuilding Workshop: Signposting Differences.
- Janice Hardy on Shine On: Taking Time to Make Your Work Ready for Submission.
- Pimp My Novel on Markets Are Our Specialty.
- Karen Lord on Library of a global nomad.
Tessaracts 14 edited by John Robert Colombo & Brett Alexander Savory
Wednesday, January 26, 2011
January 26, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Angela Slatter interviews Elizabeth Hand.
- The Functional Nerds interviews Jody Lynn Nye (podcast).
Advice/Articles
- Paul S. Kemp on What to do with a bad review.
- Jim C.Hines on Readership Breakdown.
- Stroppy Author on How to speak publisher - B is for Bad debt.
- Juliette Wade on TTYU Retro: Don't make them all the same.
- Janice Hardy on Tall, Dark & Handsome: How Much Do You Need to Describe Your Characters?
News
- Weird Tales: New Website, New Submission Portal, Pay Rate Increase.
- Con or Bust Auction Open for Donations.
- 2010 Edgar Nominees Announced.
Tuesday, January 25, 2011
Let's Talk About eBooks Part 2
Part 1 here.
Loaning eBooks
The wording on license agreements with eBook readers and eBooks themselves is a bit muddled. On one extreme, you can't loan eBooks or eBook devices to others. This might irritate customers but this is a bigger concern for institutions like libraries. (Here's one interpretation for example.)
Barnes & Noble's Nook and Amazon's Kindle have book loaning book options (Nook|Kindle), one more recent than the other.
The Good: The companies thought about it.
The Bad: The solutions seem to be a step backwards. My analogy is that you have a horse that can run 30 mph. The companies, however, don't want the horse running at 30 mph so they add weights to it, so that it runs at 3 mph. My problem with the book loaning options is that instead of embracing the advantage of the electronic format (the fact that it's digital, easily copyable, etc.), it's crippling it. And remember my last post on how the eBook market revolves around the US and the UK? Here's the quote from the Kindle article linked above:
Loaning eBooks
The wording on license agreements with eBook readers and eBooks themselves is a bit muddled. On one extreme, you can't loan eBooks or eBook devices to others. This might irritate customers but this is a bigger concern for institutions like libraries. (Here's one interpretation for example.)
Barnes & Noble's Nook and Amazon's Kindle have book loaning book options (Nook|Kindle), one more recent than the other.
The Good: The companies thought about it.
The Bad: The solutions seem to be a step backwards. My analogy is that you have a horse that can run 30 mph. The companies, however, don't want the horse running at 30 mph so they add weights to it, so that it runs at 3 mph. My problem with the book loaning options is that instead of embracing the advantage of the electronic format (the fact that it's digital, easily copyable, etc.), it's crippling it. And remember my last post on how the eBook market revolves around the US and the UK? Here's the quote from the Kindle article linked above:
"Lending can only be initiated by U.S. customers, and recipients won't have access to certain books in certain countries."
January 25, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Nancy Fulda interviews Bradley Beaulieu.
- Readers interview Jay Lake.
Advice/Articles
- Eat My Zombie on 15 Most Powerful Sci-Fi Robots.
- Gail Carriger on Why Attend Conventions?
- Paul Tremblay on Flailin' for the Distance.
- Theodora Goss on What Terri Said.
- Jeff VanderMeer on Enter the Future: The Iconic Asimov's SF Magazine Turns to E-Books.
- James Gurney on Fantasy in Films and Magazines.
- Rachelle Gardner on The Dilemma of the Prolific Writer.
- Juliette Wade on Subjective Point of View: expressing judgment with adverbs and verbs.
- Janice Hardy on Can You Hear Me Now? Developing Your Voice.
- Nicola Morgan on Checklist for Getting Published.
News
- China Miéville Serialising Comic Book Online.
- The Best Horror of the Year, Volume Three --Table of Contents.
- Philippine Speculative Fiction 6 line up.
Monday, January 24, 2011
January 24, 2011 Links and Plugs
Interviews
Advice/Articles
News
- The Outer Alliance podcast interviews JoSelle Vanderhooft, Amal El-Mohtar and Mike Allen.
- Nancy Fulda interviews John Brown, Kelly Barnhill, and Leah Cypress.
- Locus It All Started When: Paul Graham Raven.
- Sherwood Smith interviews Jo Walton.
- Civilian Reader interviews James Enge.
Advice/Articles
- Marshall Payne on Head-hopping in the Land of Whose POV Is It, Anyway?
- Jeff VanderMeer on The Third Bear: The Lives of Short Stories.
- Rich Horton reviews Andromeda Spaceways Inflight Magazine and Bull Spec.
- Ahmed A. Khan on How Islam Nurtured Science Fiction.
- Jeff VanderMeer on SF Writer Jason Sanford: Special Interzone Issue and His Best-Of Picks for 2010.
- Juliette Wade on Seeking Uniqueness? Make a Twist.
- Janice Hardy on Grow Up Already: Character Arcs and Plot.
- Vincent McCaffrey On Writing On.
News
- Photos from January 19th KGB reading.
- Video trailer for Greenhouse anthology.
- Twelfth Planet Press Announcement: The Twelve Planets.
Friday, January 21, 2011
January 21, 2011 Links and Plugs
Interviews
Advice/Articles
- Nancy Fulda interviews Aliette de Bodard.
- Patty Templeton interviews Amal El-Mohtar.
- Jennifer Konieczny interviews Priya Sharma.
- Locus It All Started When: Jon Courtenay Grimwood.
- Suvudu On Air: The Lovecraft Documentary Interview Edition.
- John Scalzi's The Big Idea: Jo Walton.
- Mihir Wanchoo interviews K.A. Stewart.
Advice/Articles
- Tom Dupree on Adventures In Editing, Part I.
- Nicola Griffith on Updating science fiction for republication.
- Peter Bil’ak on What is Typography?
- Douglas Cohen on Market Insights: Douglas Cohen, Realms of Fantasy.
- Michael Hyatt on Six e-Book Trends to Watch in 2011.
- Jeff VanderMeer on Infinity Plus: New Science Fiction/Fantasy Books for the Kindle.
- Damien G. Walter on What's the story behind genre fiction's covers?
- Kristine Kathryn Rusch on The Business Rusch: Midlist Writers & Big Publishing (Changing Times Part Fourteen).
- Janice Hardy on Talking About An Evolution: How Do You Know if Your Writing is Getting Better?
Thursday, January 20, 2011
Essay: eBook Piracy and Copyright in the Philippines
This past week, the “controversy of the week” happens to be eBook Piracy and Copyright. Troisroyaumes and Jamyee Goh have link round-ups in their corresponding websites.
I’m an author so I do want to get paid for my work, whether it’s print or electronic. However, I live in a country where right across the street, vendors are selling pirated DVDs (the fact that Blu-ray never caught on here--or have yet to--should clue you in as to the living conditions here) so to be naive about piracy is ludicrous. In an ideal world, people would compensate everyone justly but the reality is we don’t live in a fair society, nor is the distribution of wealth equitable. That’s not to justify piracy, but it’s there to shed light as to how the current practices and laws can be unfair.
Having said that, when it comes to the Philippines, I find the idea that authors are complaining about eBook piracy funny. Not because it’s irrelevant, but because there’s bigger fish to fry when it comes to infringement on copyright, at least in this country. The entire university ecosystem subsists on photocopying books and textbooks. Back when the Ferdinand Marcos was still president of the Philippines, it was legal to photocopy documents for educational/research purposes. 25 years after Marcos’s presidency, that’s still the practice today (although not necessarily legal to do so), mainly because there’s no suitable alternative. (On a side note, here’s an interesting paper on Copyright Protection for Philippine Publications.) For example, in college, I had an elective on “10 Books of the Century” which includes titles like Ulysses by James Joyce and The Stranger by Albert Camus. Because I wanted to do my readings the legal way, I tried obtaining these books. Suffice to say, I was only able to find half of them at local bookstores (and I did tour all three major bookstores at the time) and it cost me P5,000.00 (around $100.00). To give readers an idea of income in the Philippines, minimum wage here is around $8.00 a day, as opposed to an hour in America. The cost of the books I bought--which is only half that’s required by the class--is easily half a month’s wage, and that doesn’t yet include tuition (or the bigger problem that this is just one elective). Photocopying the said books is still expensive, but better than the alternative.
Over the course of blogging for the past few years, here are some assumptions I’ve encountered when it comes to books:
The reason why eBook piracy is getting a lot of flak lately because, well, eBook piracy is familiar to privileged people (and let’s face it, the countries where there’s an economic infrastructure surrounding eBooks are the US and the UK; just look at how long it took Amazon to finally sell an “international” Kindle, or how long Apple started selling iPads elsewhere), unlike other forms of book piracy (not just limited to photocopying but publishing fake Harry Potter novels for example). It can also be monitored to some extent, unlike photocopying (although it’s probably fair to say genre novels aren’t prone to photocopying, especially something like A Game of Thrones, as buying the actual book is cheaper than paying to photocopy the paperback).
But if you want to talk about eBook piracy, let’s talk about it. From an author’s perspective, there was a local writing conference two years ago (apologies but my mp3 links to the recordings have expired) and one of the discussion was around the Google Settlement. One of the consensus was that we authors don’t want Google suddenly taking the rights to our works and then apologizing later (instead of asking permission in the first place) but at the end of the day, it’s the most efficient method of getting our works and our name out there. Related to this is the concept of piracy, and since a lot of authors here don’t really receive significant compensation (i.e. quit our day jobs) for our writing, Cory Doctorow’s adage of obscurity being the biggest threat to an author rings true.
There is also the practicality of fighting eBook piracy. The problem with the Internet is that once it’s out there, it’s almost impossible to take back. That’s not to say cracking down on illegal eBook distributors isn’t possible (it’s been done to a limited extent and there are dead torrent links), but between international laws (whether that of the pirate or their web host) and the difficulty in which authors enforce their own copyright (i.e. personally reporting each instance), it’s an uphill battle. There is one surefire way to make piracy work for you, and that’s the Doctorow model of giving away your work for free online as marketing for your print book (which actually works for now but as Paul Cornell puts it in his third point, that’s betting against the future).
The problem with discussions of eBook piracy, or simply giving away your work for free, is that it doesn’t affect everyone equally. If you’re popular like J.K. Rowling or Stephen King, then it’s mostly a loss to you, since you’re not really after fame but income (to say nothing of the futility of stamping out each and every pirate). To obscure writers, like say a genre writer in the Philippines, it’s probably more of a gain, since we’re not popular enough in the first place to acquire a sufficient following to earn a significant amount from our writing. My friend Lavie Tidhar laments that his books aren’t being pirated and to a certain extent, piracy is a popularity metric; if no one is pirating you, then there’s little demand for your writing.
Another problem is the misconception that eBooks are some sort of “magic bullet”. For example, in local government, at one point, there was a proposal to equip public school students with Kindles to make textbooks “cheaper”, which is ludicrous considering the cheapest Kindle costs $140.00 (yes, actual price might go down if purchased in bulk), while the average price of a textbook here (mandated by law) is around P43.00 ($1.00). $140.00 might not be a significant amount in the US, but it’s definitely equal to a month’s worth of wages, and your average public student isn’t going to be reading 140 textbooks in a school year, to say nothing of actually paying royalties for the eBooks/textbooks (which the government currently doesn’t seem to address). (While on paper this might seem like a great long-term plan for education, there’s no guarantee that students will stay in school for all of four years in high school, and you have to take into account that you’ll be buying new devices every year for each incoming batch.) That’s not to say this proposal is absolutely impossible, but at this point in time when portable eBook readers are “expensive”, it’s not cost-effective.
That’s not to say Filipinos don’t read eBooks, or that they don’t download pirated books. I suspect majority of local readers of eBooks are doing it on either a PC (perhaps a communal one) or their mobile phone. But locally, the eBook market is paltry compared to the print market, which is still the bread and butter of most bookstores and publishers.
Now the other aspect of eBook piracy is customer frustration. Now yes, there are pirates out there who pirate simply for the act of pirating (and gaining some sort of fame for themselves). But there are also a group of pirates who pirate because publishers have certain shortcomings. There are consumers who’d buy the book from the publisher if these shortcomings were addressed, but because that’s not the case, they feel they have no choice but to resort to piracy. This may sound like me regurgitating old arguments why people download illegal eBooks, but let me put a developing country perspective on it.
Having said that, this isn’t a pro-piracy post (I’m also an author after all). I just want to explain the context of circumstances, especially in developing countries which I live in. I can understand authors hating piraters (the people who distribute their books online). If someone interfered with my income, I’d be angry too. There’s a gray area though when it comes to people who simply download eBooks. If they buy your book after illegally downloading it, will you hate them as well? If they donate to your site, or review your book, etc.? There’s no universal--or correct--answer here. Some authors will rage--and perhaps rightfully so--that their book got downloaded, irregardless of whether the downloader eventually bought the book. Others will take context into consideration. I just want to warn that just because your book got illegally downloaded 1,000 times does not mean you would have gotten paid 1,000 times for that work (although yes, it is theft). Some readers, when forced with the alternative, will buy your book. Others won’t. There is no definite statistic (i.e. 10% of readers, 50% of readers, etc.). The only thing you can be certain is that that number is anywhere between one and 1,000.
*Piracy, at the end of the day, is a battle of convenience. I can, for example, order a book from the local bookstore, but if it takes a month for the said book to arrive, it’s inconvenient. There are also situations where it’s impossible to order it from the local bookstore (their distributor doesn’t carry the title).
I’m an author so I do want to get paid for my work, whether it’s print or electronic. However, I live in a country where right across the street, vendors are selling pirated DVDs (the fact that Blu-ray never caught on here--or have yet to--should clue you in as to the living conditions here) so to be naive about piracy is ludicrous. In an ideal world, people would compensate everyone justly but the reality is we don’t live in a fair society, nor is the distribution of wealth equitable. That’s not to justify piracy, but it’s there to shed light as to how the current practices and laws can be unfair.
Having said that, when it comes to the Philippines, I find the idea that authors are complaining about eBook piracy funny. Not because it’s irrelevant, but because there’s bigger fish to fry when it comes to infringement on copyright, at least in this country. The entire university ecosystem subsists on photocopying books and textbooks. Back when the Ferdinand Marcos was still president of the Philippines, it was legal to photocopy documents for educational/research purposes. 25 years after Marcos’s presidency, that’s still the practice today (although not necessarily legal to do so), mainly because there’s no suitable alternative. (On a side note, here’s an interesting paper on Copyright Protection for Philippine Publications.) For example, in college, I had an elective on “10 Books of the Century” which includes titles like Ulysses by James Joyce and The Stranger by Albert Camus. Because I wanted to do my readings the legal way, I tried obtaining these books. Suffice to say, I was only able to find half of them at local bookstores (and I did tour all three major bookstores at the time) and it cost me P5,000.00 (around $100.00). To give readers an idea of income in the Philippines, minimum wage here is around $8.00 a day, as opposed to an hour in America. The cost of the books I bought--which is only half that’s required by the class--is easily half a month’s wage, and that doesn’t yet include tuition (or the bigger problem that this is just one elective). Photocopying the said books is still expensive, but better than the alternative.
Over the course of blogging for the past few years, here are some assumptions I’ve encountered when it comes to books:
- Don’t tell me to go to the library to find a book. There are virtually no public libraries here, and what scant libraries here (public or private) isn’t likely to stock the obscure book--fiction or nonfiction--that I’m interested in.
- I can’t order books online because they require credit cards. While privileged people here do have credit cards, they don’t dole them out like they do in the US. Filipinos have to fight tooth and nail just to get credit card approval. (In my office alone, several co-workers have been rejected twice by the bank before finally obtaining a credit card.)
- Even if I do have a credit card, ordering from a site like Amazon is costly, both in time and money. I don’t have free shipping and unless I’m ordering from Amazon Japan for example, it’ll take the good part of a month before it arrives.
- Local bookstores are limited by their distributor (i.e. Ingram). In the event that their distributor is able to obtain the book, I’m paying a premium price on book orders, and it’s an inconvenient process. (Having said that, I do special order books from local bookstores, because the other three alternatives above aren’t feasible for me, and I don’t like piracy.)
The reason why eBook piracy is getting a lot of flak lately because, well, eBook piracy is familiar to privileged people (and let’s face it, the countries where there’s an economic infrastructure surrounding eBooks are the US and the UK; just look at how long it took Amazon to finally sell an “international” Kindle, or how long Apple started selling iPads elsewhere), unlike other forms of book piracy (not just limited to photocopying but publishing fake Harry Potter novels for example). It can also be monitored to some extent, unlike photocopying (although it’s probably fair to say genre novels aren’t prone to photocopying, especially something like A Game of Thrones, as buying the actual book is cheaper than paying to photocopy the paperback).
But if you want to talk about eBook piracy, let’s talk about it. From an author’s perspective, there was a local writing conference two years ago (apologies but my mp3 links to the recordings have expired) and one of the discussion was around the Google Settlement. One of the consensus was that we authors don’t want Google suddenly taking the rights to our works and then apologizing later (instead of asking permission in the first place) but at the end of the day, it’s the most efficient method of getting our works and our name out there. Related to this is the concept of piracy, and since a lot of authors here don’t really receive significant compensation (i.e. quit our day jobs) for our writing, Cory Doctorow’s adage of obscurity being the biggest threat to an author rings true.
There is also the practicality of fighting eBook piracy. The problem with the Internet is that once it’s out there, it’s almost impossible to take back. That’s not to say cracking down on illegal eBook distributors isn’t possible (it’s been done to a limited extent and there are dead torrent links), but between international laws (whether that of the pirate or their web host) and the difficulty in which authors enforce their own copyright (i.e. personally reporting each instance), it’s an uphill battle. There is one surefire way to make piracy work for you, and that’s the Doctorow model of giving away your work for free online as marketing for your print book (which actually works for now but as Paul Cornell puts it in his third point, that’s betting against the future).
The problem with discussions of eBook piracy, or simply giving away your work for free, is that it doesn’t affect everyone equally. If you’re popular like J.K. Rowling or Stephen King, then it’s mostly a loss to you, since you’re not really after fame but income (to say nothing of the futility of stamping out each and every pirate). To obscure writers, like say a genre writer in the Philippines, it’s probably more of a gain, since we’re not popular enough in the first place to acquire a sufficient following to earn a significant amount from our writing. My friend Lavie Tidhar laments that his books aren’t being pirated and to a certain extent, piracy is a popularity metric; if no one is pirating you, then there’s little demand for your writing.
Another problem is the misconception that eBooks are some sort of “magic bullet”. For example, in local government, at one point, there was a proposal to equip public school students with Kindles to make textbooks “cheaper”, which is ludicrous considering the cheapest Kindle costs $140.00 (yes, actual price might go down if purchased in bulk), while the average price of a textbook here (mandated by law) is around P43.00 ($1.00). $140.00 might not be a significant amount in the US, but it’s definitely equal to a month’s worth of wages, and your average public student isn’t going to be reading 140 textbooks in a school year, to say nothing of actually paying royalties for the eBooks/textbooks (which the government currently doesn’t seem to address). (While on paper this might seem like a great long-term plan for education, there’s no guarantee that students will stay in school for all of four years in high school, and you have to take into account that you’ll be buying new devices every year for each incoming batch.) That’s not to say this proposal is absolutely impossible, but at this point in time when portable eBook readers are “expensive”, it’s not cost-effective.
That’s not to say Filipinos don’t read eBooks, or that they don’t download pirated books. I suspect majority of local readers of eBooks are doing it on either a PC (perhaps a communal one) or their mobile phone. But locally, the eBook market is paltry compared to the print market, which is still the bread and butter of most bookstores and publishers.
Now the other aspect of eBook piracy is customer frustration. Now yes, there are pirates out there who pirate simply for the act of pirating (and gaining some sort of fame for themselves). But there are also a group of pirates who pirate because publishers have certain shortcomings. There are consumers who’d buy the book from the publisher if these shortcomings were addressed, but because that’s not the case, they feel they have no choice but to resort to piracy. This may sound like me regurgitating old arguments why people download illegal eBooks, but let me put a developing country perspective on it.
- Is the eBook available? It seems like a fundamental question but not all books are converted to eBooks (or originally published as eBooks). Consumers can’t buy what’s not being sold by the publisher. Sometimes, these are out-of-print books. At other times, these are simply books that the publisher doesn’t want to release as eBooks (for whatever reason, whether it’s because they don’t have the license to do so, or because they don’t think it helps their business). I can relate with respecting copyrights and intellectual property, but some consumers feel that they want the said eBook, and so resort to pirated copies because there’s no other alternative that’s convenient*.
- Is the eBook available in my preferred format? Again, seems like a fundamental question, but the problem with the current eBook climate is that there’s no standard format. I hear the Kindle format is the most popular for publishers right now, but guess what, they don’t sell Kindles at retail stores in the Philippines.
- Is the eBook available in my country? Do you know why eBooks aren’t taking off as quickly in countries outside the US or the UK? Because they’re not being sold there. You’d think a borderless concept such as the Internet would ignore geo-restrictions but they don’t. I’ve heard lots of complaints that “I can’t buy that eBook because it’s not being sold here,” and at that point, point #3 equates to points #1 and #2.
- Can I afford the eBook? Suffice to say, not all nations are equal. This is partially solved by having different prices for different regions (which is the case with some software here in the Philippines) but this problem is interlinked with #3. You can’t price eBooks relative to countries if the rights to them aren’t region-locked (I don’t think publishers are interested in pricing books based on the lowest common denominator). It might also lead to problems of waiting for a local publisher to license the said book (which might be never), or just go for a larger geographic license (i.e. you can sell the book to everyone in Asia...) to one major publisher (possible but unlikely). I honestly don’t know how to reconcile this with #3.
- Can I purchase the eBook? What I mean by this is whether someone is actually capable of making the purchase. For example, I don’t have a credit card, so that automatically locks me out of registering at the iTunes store since it requires a credit card (as opposed to Amazon where I can register without a credit card, but I need to own one to make a purchase). One thing I’ve noticed when it comes to various developing nations is that they have different forms of micro-transaction mechanisms: prepaid cards, paying via mobile or landline credit, etc. To limit payments to just credit cards or PayPal is ostracizing the rest of us.
- Is the eBook properly formatted? One thing I’ve noticed about some pirates is that they “improve” an existing product: fixing alignment and line breaks in an ePub, adding bookmarks to a PDF, etc. Technically, there would be no market for this (aside from the $0.00 price tag) if the publisher did their job right but there are pirates out there who exist because of this void. This point, I’ve noticed, is the concern of people in privileged positions who have access to the eBooks, as opposed to us in developing countries where #1 - #5 is our main concern (on that note though, don’t publish an eBook that’s unreadable due to horrible formatting).
Having said that, this isn’t a pro-piracy post (I’m also an author after all). I just want to explain the context of circumstances, especially in developing countries which I live in. I can understand authors hating piraters (the people who distribute their books online). If someone interfered with my income, I’d be angry too. There’s a gray area though when it comes to people who simply download eBooks. If they buy your book after illegally downloading it, will you hate them as well? If they donate to your site, or review your book, etc.? There’s no universal--or correct--answer here. Some authors will rage--and perhaps rightfully so--that their book got downloaded, irregardless of whether the downloader eventually bought the book. Others will take context into consideration. I just want to warn that just because your book got illegally downloaded 1,000 times does not mean you would have gotten paid 1,000 times for that work (although yes, it is theft). Some readers, when forced with the alternative, will buy your book. Others won’t. There is no definite statistic (i.e. 10% of readers, 50% of readers, etc.). The only thing you can be certain is that that number is anywhere between one and 1,000.
*Piracy, at the end of the day, is a battle of convenience. I can, for example, order a book from the local bookstore, but if it takes a month for the said book to arrive, it’s inconvenient. There are also situations where it’s impossible to order it from the local bookstore (their distributor doesn’t carry the title).
January 20, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Angela Slatter interviews Simon Strantzas.
- Nancy Fulda interviews Luc Reid.
- Galactic Suburbia Podcast Episode 24.
- StarShipSofa interviews Jack McDevitt (podcast).
Advice/Articles
- Jeff VanderMeer's Book Notes music playlist for his short story collection, The Third Bear (includes a free PDF of "The Quickening" from The Third Bear).
- Troisroyaumes link round-up On Piracy and Copyright.
- Fantasy Echo ebook piracy links roundup.
- Dalkey Archive Press's Martin Riker on the "Top Favorite Books I Didn't Publish".
- Janet Reid on The difference between "pitch" and "query".
- Stroppy Author on How to speak publisher - B is for Bleed.
- Juliette Wade on Managing the Juxtaposition of Normal and Abnormal.
- Janice Hardy on Keeping Your Distance.
- John Scalzi on Science-Fiction-Movie Musicals - My Fantasy Picks.
News
- Graham Edwards writing a new dragon novel.
- Free Download of Sybil’s Garage No. 7.
- Steampunk! An Anthology of Fantastically Rich and Strange Stories Table of Contents.
Wednesday, January 19, 2011
January 19, 2011 Links and Plugs
Interviews
Advice/Articles
News
- The Functional Nerds interviews Lavie Tidhar (podcast).
- Nancy Fulda interviews Gareth L. Powell.
- John Scalzi's The Big Idea: Kameron Hurley.
- I Should Be Writing interviews Christiana Ellis and Skyler White (podcast).
Advice/Articles
- Eat My Zombie on 15 Gadgets Inspired by Sci-fi Fiction.
- Omnivoracious on 2010 Philip K. Dick Award Finalists.
- Jim C. Hines on Arguing Book Piracy.
- Robin D. Laws on Bad Writing Advice: On Darling-Killing.
- Keith Clayton on Transmedia.
- Madeleine E. Robins on I Don’t Revise, I Retype.
- Ursula K. Le Guin on A Riff on the Harper Contract.
- Janice Hardy on Setting the Right Tone for Your Story.
- Edward Gauvin on Jean Ray.
News
- Jack Ketchum Named Grand Master.
- Groundbreaking Czech SF Magazine Ikarie Shuts Down, Staff Start New XB-1.
Tuesday, January 18, 2011
January 18, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Speculate! interviews Amal El-Mohtar and Saladin Ahmed (podcast).
- Podcast Squared interviews John Joseph Adams and David Barr Kirtley.
- Here Be Geeks interviews Marjorie M. Liu.
- TheoFantastique interviews Matthew R. Bradley.
- Patrick Hester interviews Rhys Hughes.
- Nancy Fulda interviews Rick Novy.
- Locus It All Started When: Gary K. Wolfe.
- Suvudu Take Five with Pati Nagle.
- School Libraries in Canada interviews Cory Doctorow.
Advice/Articles
- Jeff VanderMeer on Triangulated Blogging on Gerry Alanguilan, Eric Basso, Javier Marias, and Helen Oyeyemi.
- Monica Valentinelli on Your Business Model Is Not Your Neighbor’s.
- Jim C. Hines on Fact-checking the E-Revolution.
- Daily Mail on Why ugly fonts and messy handwriting make it easier to remember what you've read.
- Jeremy W. Peters on For Magazines, a Bitter Pill in iPad.
- Michael Byrne on A Love Letter To the Endless Hallways of the Sci-Fi Mind.
- Steven Harper Piziks on Rewrite Request or Not?
- Editorial Anonymous on Foreign Rights: Not for the Faint of Heart.
- Juliette Wade on Multi-character scenes and conversations.
- Janice Hardy on Me or You? Choosing Between First and Third POV.
News
- 2010 BSFA Awards Nominees.
- SF Canada Supports Aurora Awards With $500 Prize For Winning Novels.
- Cuba shoots its first zombie movie Juan Of The Dead.
- Wizard’s Tower welcomes Aqueduct Press.
- Peter Crowther signs with Angry Robot.
Monday, January 17, 2011
January 17, 2011 Links and Plugs
Shweta Narayan's "Eyes of Carven Emerald" up at SF Signal.
Interviews
Advice/Articles
News
Engines of Desire: Tales of Love & Other Horrors by Livia Llewellyn
Interviews
- Spark interviews Eric Rabkin (podcast).
- Jonathan Strahan chats with Gary K. Wolfe (podcast).
Advice/Articles
- Rich Horton's Summaries for Kaleidotrope, Albedo One, Weird Tales, Flurb.
- Neil Gaiman on eBooks.
- Laura Anne Gilman on Practical Meerkat’s 52 Bits of Useful Info for Young (and Old) Writers, week 2.
- Sherwood Smith on Openings: In the Beginning . . ..
- Juliette Wade on Worldbuilding is not just Fantasy: the Girl with the Dragon Tattoo.
- Janice Hardy on Planning Your Novel With Plot.
News
- Tehalka Pulp & Noir Special Issue.
- RIP Jerry Weist (1949-2011).
- Vampire & Paranormal Trend Faded in 2010.
Engines of Desire: Tales of Love & Other Horrors by Livia Llewellyn
Friday, January 14, 2011
January 14, 2011 Links and Plugs
Interviews
Advice/Articles
News
After the Rain: After the Floods
- Wizards of the Coast interviews Lev Grossman.
- T.J. McIntyre interviews Lauren Beukes.
- The Agony Column interviews Ray Garton (podcast).
- Suvudu interviews Patrick Rothfuss (video).
Advice/Articles
- Abigail Nussbaum on Women Writing SF: Joanna Russ.
- The Font Feed on Top Ten Typefaces Used by Book Design Winners.
- Kristine Kathryn Rusch on The Business Rusch: More About Midlist Writers (Changing Times Part Thirteen).
- Andrew Wheeler on Publishing Brands.
- Pimp My Novel on A Lesson on Brand Management.
- Janice Hardy on First Vs. Third: Point of View and Character Development.
- Nathan Bransford on The Greatest Challenge Agents Will Face: Standardization of Terms.
News
After the Rain: After the Floods
Thursday, January 13, 2011
January 13, 2011 Links and Plugs
Interviews
Advice/Articles
News
Brave New Worlds edited by John Joseph Adams
- The Nebula Awards interviews Eugie Foster.
- Stacy O'Neale interviews Allison Pang.
- Paul London interviews Jay Lake.
- The Agony Column interviews John Shirley (podcast).
- Locus It All Started When: Paul Di Filippo.
Advice/Articles
- Apex on Australia Flood Relief: Reaching Out to Friends Across the Sea.
- Tehani Wessely on Queensland Floods - fundraising.
- Sisters in Crime on The Mystery Book Consumer in the Digital Age (PDF).
- Amal El-Mohtar on Whoso Hunts to List.
- Terri Windling On the subject of influence.
- Phyllis Irene Radford on Why Steampunk?
- Stroppy Author on How to speak publisher - B is for Blad.
- Juliette Wade on Making the Amnesiac Work for You.
- Janice Hardy on Is it me? Putting Critiques to Good Use.
- Pimp My Novel on Two Households, Both Alike in Dignity.
News
Brave New Worlds edited by John Joseph Adams
Wednesday, January 12, 2011
January 12, 2011 Links and Plugs
If you can help out the folks at Australia, you can donate here.
Interviews
Advice/Articles
News
Interviews
- BookBanter interviews Salman Rushdie (podcast).
- Fantasy Fiction interviews Joe Abercrombie.
- Islam and Science Fiction interviews Amal El-Mohtar.
- Luc Reid interviews Brad Beaulieu.
- The Functional Nerds interviews Paul Levinson (podcast).
- Adventures in SciFi Publishing interviews Liza Groen Trombi (podcast).
- Angela Slatter interviews Jay Lake.
- John Scalzi's The Big Idea: Kelley Eskridge.
Advice/Articles
- Theodora Goss on Vampires!
- Locus Appreciations for Neil Barron (1934-2010).
- Janice Hardy on Plotting for Your Antagonist.
- Small Beer Press on Solitaire's Here.
News
- World Fantasy Convention 2012 Pleased To Announce Special Guest Tanya Huff.
- C.S.E. Cooney promoted to Black Gate Website Editor.
Tuesday, January 11, 2011
January 11, 2011 Links and Plugs
Interviews
Advice/Articles
News
- Philip Athans interviews Paul Park.
- Locus interviews Robert J. Sawyer.
- The Agony Column interviews Chuck Palahniuk (podcast).
- Suvudu Take Five with Eric DelaBarre.
Advice/Articles
- Best Colleges Online on 10 Movies That Were Way Better Than the Books.
- Rachel Swirsky on Writing and Mortality.
- Matthew Cheney on Ten Years of Sexing the Body.
- Salon on J.R.R. Tolkien drank here: Literary watering holes.
- Steven Harper Piziks on The Research Trap.
- Rachelle Gardner on Does it Take a Village to Raise a Book?
- Juliette Wade on Vital Secondary Characters.
- Janice Hardy on Me First: Start With the Protag, or the Circumstance?
News
- Sale: 50% off all in-stock and forthcoming Night Shade titles.
- Top genre fiction titles named to 2011 RUSA Reading List.
- Bacigalupi and Pratchett Win ALA Awards.
- Big New Prizes in Translation Awards Draw.
- Angry Robot signs Trent Jamieson.
Monday, January 10, 2011
January 10, 2011 Links and Plugs
Interviews
Advice/Articles
News
Harbinger of the Storm by Aliette de Bodard
- Nin Andrews interviews Christopher Barzak (PDF).
- Jessica Strider interviews Nancy Holzner.
- The Nebula Awards interviews Christopher Barzak.
- Brad R. Torgersen interviews Kristine Kathryn Rusch.
- Jonathan Strahan chats with Gary K. Wolfe (podcast).
Advice/Articles
- Lavie Tidhar on The Geek Bible and The Science Fiction Dictionary of New Criticism.
- Cacy Duncan on No “Bam!”s or “Pow!”s Were Harmed During the Writing of This Post.
- Chris Littler on 10 Bestselling Books That Almost Weren’t Printed.
- Rich Horton reviews Shimmer, Tales of the Unanticipated, Postscripts, Cemetery Dance.
- Lauran Anne Gilman on Practical Meerkat’s 52 Bits of Useful Info for Young (and Old) Writers, week 1.
- Sarah Zettel on Everything Old is New Again.
- Sherwood Smith on A Look At Memorable Characters.
- Editorial Anonymous on Choose-Your-Own-Illustrator! or Don't. No, Really, Don't.
- Mike Brotherton on Dystopias are Realistic? I’m Not so Sure Paolo…
- Stroppy Author on How to speak publisher - B is for Bologna.
- Juliettte Wade on Pronoun Peeves: I or me, Thou or Thee?
- Janice Hardy on Outlining the First Draft.
- Nicola Morgan on How Likely Are You To Be Published?
- Alan Rinzler on How an endorsement can help land your book deal.
News
Harbinger of the Storm by Aliette de Bodard